Corriere del Mezzogiorno Naples December 30, 2010 - pag. Article 7 of Fuan Marino
Kosuth return to light and Clare cleaned by unknown
NAPLES - For the monuments and works of public art, it seems that this Christmas has been a blessing . As if by magic, the light is back on "Dante's Convivio," the work neon signed by the great conceptual artist Joseph Kosuth and exposed on the stairs of the metro station hill. Announcing the repair work, which is off by three months due to a short circuit, were students and graduates in Diagnosis and Restoration of Cultural Heritage of the Civic Committee of Santa Mary Portosalvo composed by Marcello Mottola, Maria Vitiello, Luca Martin, Alessia Zaccaria, Mariarosaria Angrisano, Angela Iupariello, Anna Peluso, Federico Tieri, Lucia Cristi, Maira Pesole, Max and Vivian Piccenna Heels. But if the famous passage from Dante's Convivio, which the artist had made in the New York subway station Dante Art in March 2002, is restored, there remains the unresolved problem of manutenzone - for this like all the works present stations - whose responsibility it is unknown as to who should fall.
"Miracle" Christmas is also on two major sites and assembled citizens, cleaned graffiti from mysterious executioners. After the story of the Chapel Pont and the time of the facade of the Church of Santa Chiara, Unesco World Heritage Site since 1995, and Castelcapuano finally clean. But the association "Young Portosalvo ," composed of graduates in Restoration of the Civic Committee of Portosalvo, launches an alarm, however, documented by an extensive photographic record of sites: "The abuse often causes more damage cleaning of ink spray. Visual analysis of the Neapolitan yellow tuff shows significantly powdery surface layer is compact and white and this is due to strong abrasion who removed the first layer of stone. This is probably a results by using a sander, or a similar instrument used by an operator with the restoration has nothing to do. " The young restorers Neapolitan monuments sfregiaci claim for a municipal public service recruits skilled professionals in order to prevent anyone from putting their hands on the monuments.
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